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- West Australian Ballet
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In , Madame Nadine stated: [8]. Perth was at this time a very distant and sleepy town with out the cultural life that we were used to in Europe. There was no permanent Theatre. There was no permanent Musical Society or other such cultural and artistic organisations. When in November my relations told me that there was a Western Australian Ballet Company and they were to have a performance I was very surprised. I certainly had to go. It was on 15th November I went to His Majesty's Theatre and there was the performance. It was called Graduation Ball and in it were some gypsy dancers and scenes.
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I was very surprised to find in Graduation Ball and some other selected small numbers great similarity to the kind of Ballet-style I was used to in Europe. The similarity of the choreography of this school to my own school was because the choreographer Mrs Bousloff had been taught by the same teacher as me, Olga Preobrasjenska. Mrs Bousloff was firstly taught by Olga after I had finished being taught by her.
So the age difference between us was very large. I was pleased to learn this about Mrs Bousloff and wanted to get acquainted with her. After a while I did go and make her acquaintance and we became friends. I did not give regular lessons at her studio, but I helped her with advice and with the corrections of her productions. By the way she was an excellent producer. And the first one I worked with her on was Cinderella and the music was by James Penberthy It was not a very big company but it was big enough to put on small ballets We worked slowly with performances but the Company was not officially registered.
It took us a few years until the Company became registered, which was in [ the WAB website mentions as the year [3] ]. During this time the Company didn't have many performances because there was no government subsidy and all our dancers were working without a salary In , Rex Reid took over as Artistic Director as the company became firmly established as the State ballet company.
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In , moving to North Fremantle Town Hall, where they remained until , nine dancers received full-time contracts. In the same year company also went on its first international tour to New Guinea. Moreland went on to remain in the position for 15 years. Although the company continued to develop both its repertoire and technical and performance standards for the dancers, as well as enjoying many successes, the financial strains on the company also continued to grow. At times during the s, there were doubts as to whether the company could continue.
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Despite this, in and agreement between the State Government and the Australian Broadcasting Corporation secured the orchestral services of the West Australian Symphony Orchestra for performances, a relationship that continues today. In the company moved to the newly refurbished His Majesty's Theatre which remained its performance, rehearsal and administrative home until when rehearsals and administration were moved to the West Australian Ballet Centre.
In the company established a national and international touring program. Moreland's time as artistic director heralded the beginning of a series of high-profile collaborations including visual artist Charles Blackman and choreographer Chrissie Parrott. Ted Brandsen took the helm as artistic director in , and won the Australian Dance Award for choreography in for his Carmen which was later recorded and sold by ABC television. In Ivan Cavallari was appointed artistic director and efforts started to be made to greatly increase the facilities and size of the company.
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By West Australian Ballet had moved into the new West Australian Ballet Centre and increased the company from 19 full-time dancers to 32, enabling it to perform the best of classical repertoire including the highly acclaimed [ citation needed ] Onegin In , Cavallari left to return to Europe and Aurelien Scannella was appointed the new artistic director, his first year of programming beginning in The Forrest Building, a heritage listed building, is owned by the City of Bayswater and leased long-term to the company.
The history of the building dates back to when the Victoria Institute and Industrial School for the Blind was developed as part of the celebrations for the 60th year of Queen Victoria's reign.
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Jon Stratton is an adjunct professor at the University of South Australia. He is attached to the UniSA Creative unit. Skip to main content Skip to table of contents.
West Australian Ballet
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