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Go on wednesday november 12, 25 september Two of our regulars return to Behind the Scenes this week for another year of updates on stage and screen. First up, we welcome back Theatre Network Australia who each month update us on the state-of-play of the performing arts in Australia before introducing us to one of their remarkable members. This month, Executive Director Nicole Beyer tells us about their joint project with the Australian Performing Arts Market before introducing a very special member of the month — but who will that be?

Jazz vocalist Sunny Kim will be on the line to tell us about her gig with the Australian Art Orchestra. Monday January 27, Co-director of the festival, Chris Howlett, is in the studio to tell us how this major event came about. Monday December 9, And then, our second last movie review segment for the year looks at the new murder mystery, Knives Out, and The Irishman, that much anticipated new film from Martin Scorsese. Monday December 2, Fleur is on the line to talk about the importance of an award that recognises female driven storytelling. Monday November 18, Monday November 11, Monday October 28, Behind the Scenes starts in Adelaide this week with the second Jaipur Literature Festival which will offer forty free events over three days introducing writers and artists from India, China, Taiwan, Hong Kong.

Malaysia and more. Down at Theatre Works, Tashmadada has been working with the Voices of the Southside to bring us unHOWsed, a look at the lives of elderly women experiencing homelessness. Director Deborah Leiser-Moore is in the studio to tells us their stories were brought to the stage. Monday September 16, On our February show this year we met Ben Opie and Eddie Wang who were about to embark on a Melbourne Recital Centre and Vision Australia project, Sound Matters , a series of four workshops where children who are blind or have low vision have an opportunity to engage with professional musicians and collaborate on a composition.

This week, we drop in on the end of the third workshop in the series to chat with Eddie and Rory, one of the workshop participants. Now in its third year and named after Dulcie Stone, an author, educator and campaigner for people with intellectual disabilities, the awards are presented by Valid and Writers Victoria for outstanding works by writers with an intellectual disability. Monday September 9, Origami is composer-saxophonist Adam Simmons jazz trio featuring his long time collaborator and Sheng virtuoso, Wang Zheng Ting. Monday September 2, Monday August 26, Co-curator Gabrielle Leah New will be on the line to tell us more.

Chris Howlett will drop by the studio to tell share the highlights of his eclectic programme. Monday August 12, He formed the band with local friend and drummer, Josh Philpot and off the back of the success of their debut album, the pair is back with the second outing, Red Country. How does circus allow you to explore those ideas?

Meanwhile, at Arts Centre Melbourne you can meet the next generation of music theatre performers from the Victorian College of the Arts when they present the latest concert in the Morning Melodies programme. Monday August 5, Beng and Daniel will drop by to tell us what we can expect from this powerful new work about a group of eight forced labourers who try to break their bonds and tell their broken stories. Monday July 29, What she actually finds when she checks into the Hotel Priscilla run by the highly suspicious Mrs Meers, is something altogether different.

So why is the Festival Director Zoe Paulsen talking to us about it now? Something else new in town is the Motley Bauhaus, a new multi-disciplinary venue in North Fitzroy. Curator Juliette Hanson will introduce us to the work of three sound artists; Cat Hope, Lucreccia Quintanilla and Mona Ruijs and we might just get a little taste of some artworks that use low frequency sound to provoke bodily responses as much as they use their art to provoke intellectual responses. Monday July 15, Where were you on September 11, ? If you happened to be in a plane trying to fly into American airspace on that terrible day, you would have found yourself diverted to one of many airports outside of the USA.

One of those airports was Gander, in Newfoundland, a town with a population of In the space of a couple of hours, 38 planes landed at Gander airport and the population rose to and stayed that way for the next five days. Their remarkable, incredibly human, moving and unexpectedly funny stories have become the hit show Come From Away and to mark its opening at the Comedy Theatre, fourteen of the real Ganderites and Come From Awayers have been in town. Peta, who also directed the production, will be dropping into the studio to talk about this and her other award-winning work. Monday June 24, Feel like dancing?

Monday June 10, Dark Water is described as oceanic gothic with a twist of horror. It includes works on film, on paper, ceramic sculptures and even a bit of scrimshaw… not sure what that means? Intrigued to know more? The National Institute of Circus Arts is about to present Dispersion a new work performed by fifteen second year students looking at notions of cultural identity from initial evolution, to tribes, to our globalised world. What will the verdict be?

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Monday May 27, Natasha will be telling us all about it and Jamie will talk about the special event that TNA is presenting as part of The Kiln programme. What do photocopiers, butterflies, enlarged images, Salvador Dali, milk crates, cans and eagles have in common? You might have seen his work around town and not even known it. But now, Phoenix, together with the street art crew The Ninjas, are presenting a group show of their work; Vivarium, and Phoenix himself will be in the studio to tell us what we can expect. But what is Chapter 2? What do we make of all these? Monday April 29, Meanwhile, sixty or more years ago, the theatrical ripples that would lead to the establishment of what became known as the new wave of theatre in the s was getting started at Sydney University.

This year, the festival is supporting the development of First Nations writers and critics with its Blak Critics programme. Monday April 22, A bit of a special show for Easter and Anzac Day this week.

Then, we visit the Shrine of Remembrance in Melbourne to meet Jean McAuslan who takes us down into the bowels of the grand old monument where the foundations have been turned into galleries. Ted Pugh and Fern Sloan both cut their Broadway teeth in the early sixties. Ted performed in the long running hit, Irene with Debbie Reynolds and Fern set out to augment her singing skills with some actor training from none other than the legendary Uta Hagen.

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Along they way, they encountered the work of one of the great twentieth century actors, Michael Chekhov a former student of Stanislavski and eventually became teachers of the Chekhov style of acting, establishing the Micha School in Hudson, about two hours north of New York. I wonder, what was rock and roll historian Glenn A Baker doing during the August of ? Back then, the world had problems that the younger generation wanted to solve. But has anything really changed? How did it get to be February already?

Evan Lawson from the Forest Collective has written a new operatic version of Orpheus, the much interpreted Greek myth about a musician and poet who ventures into the depths of the underworld to rescue his lost wife Eurydice. Can that be true? Meanwhile, over at Arts Centre Melbourne, something has gone terribly wrong.

A hundred years ago, the world was still getting used to the idea of peace after the Armistice was declared and World War One came to an end. The Conference Co-Director, Meg Upton will be dropping by to share all the conference highlights with us. Not familiar with this style of music? Onto darker themes after that — firstly with an excellent new book by Maryrose Cuskelly which looks at the events and circumstances behind a savage triple homicide that took place in Wedderburn in Did you know that right at this moment, all over the world, there are women and queer folk practising witchcraft?

Moral Panic places queer and feminine experiences at its centre and looks at how existing structures are made to serve the needs of the powerful and how they might be subverted and reclaimed by the oppressed. Why has he made this show? Well, a few years back Ben realised that as a cis-gendered white man the only topic he could tackle without fear of recriminations was cis-gendered white men. Best we ask Ben when he drops by the studio.